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But That's RUDE!



In classes for teen girls I'm often asked what to do when some guy, either a stranger or someone they barely know, approaches and begins asking overly personal questions.  A simple "I don't want to talk at this time" is certainly polite, and right to the point. "I don't give out that information," said in a neutral tone, is also direct and sets a boundary without being nasty.

But some girls still take issue with a direct response. Because it's "rude." And I hear from some adults who work with girls that it's just "who they are."

Who are you, really?

Are you always the person you wish you could be?

Food writer Ruth Reichl faced similar questions, but in a different context. As the restaurant critic of The New York Times beginning in 1993, Reichl knew that her reviews would powerfully influence the rise and fall of restaurants big and small; a great review could mean vastly increased revenue and prestige. Restaurant kitchens, she found, had Reichl's picture plastered on the wall and a reward for any staff member who spotted her. Reichl's clever solution was to come up with disguises for her dining excursions. And her disguises went beyond wigs and makeup -- she envisioned what kind of person she'd become. With the help of an acting coach, she transformed herself. And it worked, sometimes too well. She found herself falling into her roles--often to the delight, but sometimes to the dismay, of her dining companions.(Reichl details her escapades in her charming book Garlic and Sapphires: The Secret Life of a Critic in Disguise.)

"Chloe" was a blonde bombshell who seemed to know precisely how to intrigue men. "Brenda" was warm, funny, kind, and approachable. Elderly "Betty" blended into the furniture, and was treated as a castoff. "Emily" was brusque and bitter. All different  personalities, yet along the way Reichl recognized them all as elements within herself (and she decides she wants more Brenda and less Emily). Reichl had the epiphany that controlling how others treated her could be as simple as changing the way she dressed and projec
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