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A little girl's physical and emotional reawakening after an accident claims her father and her spirit. The accident leaves 10-year-old Sunny Mathews unable to walk without crutches.
Second Chances
Paralyzed with polio as a child, Brooklyn-born Jerome Felder reinvented himself first as a blues singer, renaming himself Doc Pomus, then emerged as a one of the most brilliant songwriters of the early rock and roll era, writing 'Save the Last Dance for Me,' 'This Magic Moment,' 'A Teenager in Love,' 'Viva Las Vegas,' and dozens of other hits. For most of his life Doc was confined to crutches and a wheelchair, but he lived more during his sixty-five years than others could experience in several lifetimes. AKA Doc Pomus brings to life Doc's joyous, romantic, heartbreaking, and extraordinarily eventful journey. In his later years, Doc was a mentor to generations of younger songwriters, and a fierce advocate for downtrodden rhythm and blues musicians. He wrote a thousand songs including some of the most recorded songs in the history of popular music - but his most lasting gift may have been his uniquely generous spirit. 'If the music industry had a heart,' the record producer Jerry Wexler remembered, 'it would b
AKA Doc Pomus
If only more clubs would play funky music with real intruments that would make the lame throw away their crutches...well we say this is a start.
Expect the likes of Quantic, Diesler, Nikodemus, All good funk Alliance, Crazy P, Speedometer, Dennis Coffey, The Rebirth, Jazzanova, Maceo Parker, Breakestra, The Bamboos, Beatconductor, Beatfanatic, Incognito, The Broken Keys and many more...amongst some reworked old gems too.
Souled Out
Montreal Canada Broadcaster Barry Anderson takes to the mic at the MyRealBroadcast studio in Montreal each week to discuss a variety of "In The News" subjects combined with a hard hitting, fast paced commentary making The Barry Anderson Show a hit around the world!
WE DON'T KNOW THE TRUTH!
This is the theme behind the mind of Barry Anderson, join Barry each week for a riviting hour that will blow your mind. (Perhaps even make some changes in your own life) Over 1 Million Listener Tune In's since 2004 on www.myrealbroadcast.com you can catch all his last shows.
Theme Music "PULL ME OVER" from the album Pimpin' on Crutches was provided by Warsaw Poland Bros. Please visit them here
www.myspace.com/warsawpolandbros
This Podcast was created using www.talkshoe.com
The Barry Anderson Show
Fourth of July weekend was a big one for the Rubin clan—at least regarding the multiplex. (It was also a big weekend for almost getting hit by a wayward firework that launched itself at me, then veered away from my Michael Jackson muscle tee/half-shirt combo just in the nick of time, but that’s another story.) It’s when I saw Ferris Bueller’s Day Off, Who Framed Roger Rabbit?, and Speed—for which I was on crutches and also SUPER HIGH, though presumably my family didn’t know that at the time. But as great as those movies were, they were all just run-of-the-mill popcorn movies that were still in theaters when our annual All-Family Movie Tradition rolled around. Which is what made Back to the Future so special.
Summer matinees are about escape—from your daily grind, from the searing heat outside, even from time itself. Robert Zemeckis knew that, and catered to our needs on every level possible, from the visual to the literal. For kids, there was slapstick and a cool, relatable protagonist who gets to be a hero; for adults, there was the ultimate nostalgia trip of rewriting the past; for everyone, there were was an ’80s zeitgeist frappé of Libyan terrorists, Pepsi Free, Calvin Klein, and a revenge of the nerds that blew the actual Revenge of the Nerds out of the water. Even in its darkest moments, BTTF was relentlessly upbeat, and Huey Lewis made damn sure you knew it long after you left the theater. It wasn’t long after 1985 that action movies began to dominate the multiplex during the holiday weekend, and family comedies went on the wane. But that hadn’t happened yet: Marty and Doc might not have needed roads where they were going, but they made sure we could all come along. —Peter Rubin
Back to the Future - Behind The Scenes - Secrets Of (1985) - Michael J. Fox HD
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