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HANS THIES LEHMANN - The position of the spectator in theatre today
The spectator has become the central focus of reflection on performance and theatre since the theoretical/practical shift to the problem of what is the experience of an artistic (or artistically-motivated) gesture. This shift brings into focus the fundamental questions of spectating as an activity. This lecture will focus on several examples of different spectating as an activity. This lecture will focus on several examples of different spectating positions, and will in particular concentrate on a re-reading of the ancient concept of Anagnorisis, in the light of the debate around the polemics against »theatralicality«, which in a different understanding has become accepted as a positive qualification of performance art practice.
HANS THIES LEHMANN is Professor of Theatre Studies at Johan Wolfgang Goethe-Universität, Frankfurt on Main, Germany and directs Master Program in Dramaturgy there. His numerous publications include: Theater und Mythos, Essays zu Theatertexten ... His seminal work Postdramatisches Theater has been translated into many languages, and he has also been widely publication on literary theory, contemporary theatre aestetics, and film.
Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes)
The Agricola (Latin: De vita et moribus Iulii Agricolae, lit. On the life and character of Julius Agricola) is a book by the Roman historian Tacitus, written c 98, which recounts the life of his father-in-law Gnaeus Julius Agricola, an eminent Roman general. It also covers, briefly, the geography and ethnography of ancient Britain. As in the Germania, Tacitus favorably contrasts the liberty of the native Britons to the corruption and tyranny of the Empire; the book also contains eloquent and vicious polemics against the rapacity and greed of Rome. This translation by Alfred John Church and William Jackson Brodribb, was first published in 1877. (Summary from Wikipedia.)
Librivox: Agricola by Tacitus, Publius Cornelius
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