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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
NPR
HowStuffWorks explains thousands of topics, from engines to lock-picking to ESP, with video and illustrations so you can learn how everything works.
HowStuffWorks.com
HowStuffWorks - Learn How Everything Works!
Contemporary drama in a rural setting from the world's longest running radio soap opera.
BBC Radio 4
KCRW 89.9 FM is a Free Internet Public Radio Station of Santa Monica College, in Los Angeles, California - Streaming Live Independent Music, NPR News, and Talk
KCRW
KCRW 89.9 FM | Internet Public Radio Station Streaming Live Independent Music & NPR News Online from Los Angeles, CA - KCRW
American Public Media, a nonprofit 501(c)(3) organization, is the largest owner and operator of public radio stations and a premier producer and distributor of public radio programming in the nation. It is also the largest producer and distributor of classical music programming in the United States.
American Public Media
Home | American Public Media
WNYC 93.9 FM and AM 820 are New York's flagship public radio stations, broadcasting the finest programs from National Public Radio and Public Radio International, as well as a wide range of award-winning local programming.
Public Radio International/WNYC
PBS and our member stations are America’s largest classroom, the nation’s largest stage for the arts and a trusted window to the world. In addition, PBS's educational media helps prepare children for success in school and opens up the world to them in an age-appropriate way.
We invite you to find out more about America’s largest public media enterprise.
PBS
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
The New York Times
J.C. Hutchins is an award-winning fiction and nonfiction storyteller, with 15 years of professional writing experience. His two novels – 7th Son: Descent and Personal Effects: Dark Art — were published in 2009 by St. Martin’s Press.
J.C. Hutchins
I’ve been a pilot for a major U.S. Carrier since 1989. Before that I flew A-10s for the Air Force. I was stationed at RAF Bentwaters in the UK, and then at McClellan AFB in California. I left the Air Force and then we won the cold war. I think it was just a coincidence
Joe d'Eon
Arts, culture and city life from WNYC, New York Public Radio, 93.9 FM, 820 AM.
WNYC Culture
IndieFeed delivers fresh and quality-filtered music selections to audiences seeking extraordinary content experiences. Unlike mass-oriented broadcast companies, IndieFeed delivers targeted, single-serving shows optimized for desktop and mobile use, providing valuable content choices for busy quality-conscious people.
IndieFeed.com Community
Stanford Storytelling Project
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The Stanford Storytelling Project brings the power of performed stories to Stanford. Through live events, courses, and grants, the project gives students the opportunity to experience the transformative nature of great stories and better understand how they work. Through weekly workshops, monthly storytelling performances, and a podcasted radio show, the project also gives students the opportunity to craft and tell their own great stories.
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Chris Oatley is a visual development artist and content creator for film, television and other media. The aim of this podcast is to inform and inspire creatives of all types and to reveal and record the process behind his work.
Chris Oatley's ArtCast
Unintended Detours is a show about the distances we travel in life: literal or metaphorical, enthusiastically or against our will. Stories of obstacles and diversions--the places we long to get to and where we actually end up.
Unintended Detours
All things Progressive, music first and foremost also featuring the best Progressive house rhythms on the planet. Presented by Jason Lee.
Progressive Sessions
Co-effectuation: Maja Delak and Luka Prinčič alias Wanda & Nova deViator (text by: Tea Hvala)
The collaboration between Maja Delak and Luka Prinčič began last year with the performance Ways of Love and continued with Frozen Images – the latter was credited to pseudonyms Wanda and Nova deViator. Maja Delak is this year’s recipient of the Prešeren Foundation Award, a choreographer and dancer, who has behind her a considerable number of collaborations with different musicians, dancers, actors, and choreographers. The same goes for the musician, DJ, and intermedia artist Luka Prinčič, who first appeared as a performer precisely in the joint projects with Maja Delak, while in this exchange, Wanda picked up the microphone for the first time, wrote the lyrics for their trippy electro tracks, and also sang them.
Their projects intertwine many – often colliding – languages: rhythm, voice, music, noise; video, photography, theory; manifestoes, poetry. It seems that their reparatory investigation, this courageous picking up from all over, wagered on the possibility of their own surprise over the outcomes of their collaborative process and over what may emerge from their overlapping, dissonances, resonances, slips, and congruencies. It seems that their wager is won – as they have offered to the home audiences a new aesthetics and politics; well, at least to that part of the audience who had missed or overlooked the Ljubljana-based queer dissidents from the 80s.
Maja Delak and Luka Prinčič's performative events scream with punk ethics and kitchy porn chic aesthetics, which come together also in Western grassroots or DIY feminism of the “third wave”. I was reminded of the fact that this feminism skirted the borders of our country precisely at their appearance at the International Feminist and Queer Festival Red Dawns, where Frozen Images resonated as a genuine manifesto! It was a moment of relief and joy and empowerment, because the authors intentionally and unbendingly, passionately and sexily, approached the themes that are rarely dealt with in our space, certainly not at the same time: lust for enjoyment, anxiety, hypersexualisation and pornification of our bodies, violence, idealisation of love, and of course – the motor of everything – consumerism.
Ways of Love meander between the sampled, or temporarily “frozen”, scenes of two types of gender roles: those marked with violence and those founded on consensual submission and dominance. The insight into how to become aware of the power relations in relationships and how to break the vicious circle of violent love is disclosed in the performance precisely with the emptying of form – which could not be other than violent and painful. The second performance event, Frozen Images, raised a possibility of stirring up and overcoming the violence we exert over ourselves under the pressure of buy-and-sell images of Sex Appeal, Beauty, Health, Youth, and Success – with laughter. With lust. With objectifying to our own taste. With our own perverseness and again – with love.
This sumptuous and made-for-all-senses multimedia work by Maja Delak and Luka Prinčič is a genuine cut’n’paste, a swift image and sound collage that allows for many readings and listenings, many feelings and reflections. But only after one tears away from the fleeting images and voicings; only after one dances to the wild riot grrrl version of You Don’t Own Me, with Wanda and deViator jumping all over the stage. And this may very well be the most beautiful achievement or co-effectuation Maja Delak and Luka Prinčič’s collaboration: their accessibility and clarity – despite the work’s decentredness – makes their work is inspiring and empowering. Ultimately also because the “you” from You Don’t Own Me does not refer to a man made of flesh and blood but rather to Martell or some other corporation that imposes patriarchal patterns of behaviour for everyday use.
Wanda & Nova deViator - ZVO.ČI.TI (So.und.ing) 2010
IRENA TOMAŽIN (text by: Luka Zagoričnik)
Dancer, choreographer, performer, actress, philosopher, and vocalist Irena Tomažin made her first appearance in the area of music with the group Kapricjoke, which appeared also in the Concert Marathon organised by Radio Student. However, her most noteworthy debut presentation in the field of sound was made with a solo recital iT for voice and voice recorders, in which Tomažin ingeniously weaves the story through the primary human instrument – the voice. Hers is not a trained voice based on clear articulation and technical brilliance. Quite the contrary, its power of expression draws precisely from the failure of articulation, from its incessant attempts to constitute itself, with which it often drifts away from the field of meaning and enters the field of sound. We are dealing thus with a fragile voice, a voice in search of itself, which nevertheless has a profuse emotional and expressive potential. At the same time, it is also an alienated voice, which is – since it is recorded on dictaphones – becoming an acousmatic object, alienated from corporeality, but which is re-entering the semantically structured storyline through repetitions of sound loops and tape manipulation. Voice, a fundamental corporeal experience, is traversed by countless voices, multiplying, dissolving, and confronting their own semantic and sound resonances in space. To dramaturgically round up her (sound) narration, Irena Tomažin artfully, sometimes movingly, and sometimes playfully, employs different means: from adopting and breaking the tunes from the sphere of popular music, theatrical story-telling to playing with the words’ syllables and their rhythm, dismantling the words in the style of literary modernisms and avantgardisms of the previous century, or reducing the voice to panting, smacking, sighing. However, in so doing she is still allowing multiple voices to speak at the same time, in harmonies and cacophonies. Although her creativity can be compared to certain more visible contemporaries (such as Meredith Monk, for example), Tomažin’s performance is unique in its child-like playfulness, which is occasionally also capable of sparkly self-reflection. Although her performance ever-so-slightly implied a rather schizophrenic story of submission, which addressed the audience through multiple voices simultaneously, these voices nevertheless incessantly communicated in the in-between space of the word and condensed meaning. Recently, appearing as iT, Tomažin’s voice is dissolving from a structured and distorted one, from veiled polyphony, to a naked voice, which is ultimately left almost voiceless, residually remaining in the body, where the possibilities and the impossibility of its articulation are taken over by gesture, movement. As iT, Irena Tomažin as a matter of fact thinks voice through heterogeneous trains of thought, which intensely, via extremely personal experience, traverse one another. This discloses her experience as a philosopher who confronts her thought with other thinkers of the voice, such as, for example, Mladen Dolar or Jacques Derrida, or literature, such as, the literary thought of Samuel Beckett, or the thinking of Antonin Artaud on contemporary theatre, or the melodies of most diverse traditions. As iT, Irena Tomažin performs at home and abroad, also in important international festivals, such as Club 5 in Vienna, Dispatch in Belgrade, Densités in France, and Ultrahang in Budapest. In recent years, she has also lent her voice to free improvised music, collaborating with numerous home and foreign makers. These include the bassist Tomaž Grom, the multitalented musician Andrej Fon, the saxophonist Marko Karlovčec, and others. With the latter she also released a record ‘That Which Happens Is Itself Dripping Red’. Internationally, she is collaborating with the American brass musician Liz Allbee, the Japanese percussionist Seijiro Murayama, and others. As a dancer and performer, Tomažin collab
Irena Tomažin - ZVO.ČI.TI (So.und.ing) 2010
Music show featuring electronica and acid jazz compositions, synths, and comments about instrumentation and techniques.
UFOfarm
Exploring the life of a Christian, husband, musician, and thinker.
Romack Revealed » Podcast Feed
Watch our short demo videos to see the award-winning Drobo products in action. See how Data Robotics' BeyondRAID technology allows for the ease of storage expansion, simple disk replacement, and enterprise-class data protection from potential disk failures, all the while maintaining continuous data access.
Data Robotics Video
The electronic music of GalaxyIMP (a.k.a Patrick Salkeld) of 21 Productions!
The Music of GalaxyIMP
A biweekly, interview-based podcast featuring interesting people doing interesting things in a variety of different areas.
Tandem With The Random » podcast
This is our worship Podcast and will have relevant material from the worship ministry here at The Connection Church in Lake Forest, CA
The Connection OC - Worship
This is a Bengali audio book podcast by Anindita Bhattacharya. Listen your all time favorite Bengali stories, novels and poems in this podcast.
BENGALI AUDIO BOOK
Veteran Broadcaster Ira Sternberg brings you all things Las Vegas including conversations with the celebrities, entertainers, writers and personalities who make Las Vegas the most exciting city in the worldListen at wsRadio.com
Las Vegas Radio
Randomness from East Cobb County Georgia... including no holds barred restaurant reviews, news and commentary!
The Nevis Walker Show
The FAMELESS Radio Show will be here to help you guys discover new & old music as well as venues and shows in your area (US).
The Fameless Radio Show
Mantra is Exclusive House Set from Mario Su. The Set Features the hottest New releases from the World of House and Progressive.
For further info please email to:
onthemix@yahoo.com
MANTRA
Filled with interesting facts, tidbits and anecdotes about the works to be presented, as well as musical excerpts, each podcast is sure to enrich your concert experience.
Toronto Mendelssohn Choir Podcasts
Ambient Music Composed and/or arranged by David Grenham
primordialsoup
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