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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
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HowStuffWorks explains thousands of topics, from engines to lock-picking to ESP, with video and illustrations so you can learn how everything works.
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HowStuffWorks - Learn How Everything Works!
Munchcast is a weekly netcast that highlights and celebrates junk food. Enjoy mouthwatering new episodes at www.twit.tv Your guides on this fattening but delicious jaunt are Cammy Blackstone and Leo Laporte.
Cammy Blackstone and Leo Laporte
Contemporary drama in a rural setting from the world's longest running radio soap opera.
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Self Help Books, Audio, and Online Courses for personal growth and self improvement – Personal Life Media
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The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
The New York Times
Food Factor Podcast | WFP World Food Programme
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Chris Oatley is a visual development artist and content creator for film, television and other media. The aim of this podcast is to inform and inspire creatives of all types and to reveal and record the process behind his work.
Chris Oatley's ArtCast
Good music
Slang Inc Podcast
This podcast both examines and inspires a certain approach towards life that is based both on personal philosophies and on, more importantly, the writings of people such as Ralph Waldo Emerson and Henry David Thoreau. This is a biweekly five to ten minute series referencing literature, life, and nature. The host, while working in technology for a major corporation, holds a Master's in English Literature and is a true Romantic.
Nature's Lead
Hi Everyone, Welcome to my show my name is Sonia Fitch and I am a former professional print model who has been published. I have been published in Playboy May Issue 2000. My newest venture which I am very passionate about is my radio show. What makes my show unique is that I will discuss a variety of topics with various guests My guests are articulate, educated experts in their field. They have been in the media, and also have published books. My goal is to give you informative helpful information as well as entertain you. I hope you will enjoy my show. Call into the show with your questions, comments or suggestions to me or my guest to 347-994-2313 Some of my guests offer free gifts to anyone that calls into the show maybe you will be that lucky person. I also take your questions,comments,and suggestions in my live chat room. Phone lines and chat room open 10 mintues before each show. Thank you Sonia. If you can't listen live to any of my shows and would still like to ask a question for any of my guests. Please email me varietytopics@yahoo.com with your questions. Please give me your first name, where your from and your questions. In the subject please put the show name and guest. If you have any questions about anything about my show you can always email me to varietytopics@yahoo.com I wanted to let everyone know that my show will be off for the summer.
Variety Topics Talk | Blog Talk Radio Feed
Discussion of all things stupid and other of lifes practical jokes for all those involved in living life
Stupidity and other practical jokes | Blog Talk Radio Feed
punjabi music. mostly un-contemporary stuff and the songs i grew up listening to. that's about it!
unpopular punjabi music
"Lifeliner: The Judy Taylor Story" by Shireen Jeejeebhoy tells the tale of vibrant Torontonian Judy Taylor after she falls ill and faces death by slow starvation. But a young doctor offers her life with a catch -- she can never eat again. This award-winning book tells the amazing true story of a young woman who made medical history as the first person to live at home on intravenous feeding without eating any food for over twenty years. Because of Taylor's tenacity and willingness to be a guinea pig under Dr. Khursheed Jeejeebhoy's expert care, the life-transforming technology of Home TPN (Total Parenteral Nutrition) became a reality. And, as a result, this heroic medical pioneer changed thousands of lives worldwide and inspired more to overcome their own challenges and live life to the fullest.
"Lifeliner" is available in print book and multi-format eBook. And now you can listen to it in mp3 format, one chapter at a time, podcast weekly on Saturdays. Music is "I like it like That(s.thaens)" by stefsax and "THE KING IS BACK" by echoed, licensed under Attribution Noncommercial (3.0) Creative Commons license and can be found at http://dig.ccmixter.org.
Lifeliner: The Judy Taylor Story
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TAO G. VRHOVEC SAMBOLEC is a sound artist and musician based in Amsterdam and Ljubljana. His works encompass audiovisual and mixed media installations, sound interventions in public spaces, composed and improvised (electro)acoustic music, sound design for video, and music for silent film.
Born in 1972 (Ljubljana – Slovenia), he received BA - main subject clarinet - at Trondheim Music Conservatory (Norway), BA in music composition and MA at Interfaculty Image and Sound – ArtScience, both at The Royal Conservatory in The Hague - The Netherlands, where he also followed Sonology course.
His works were shown and performed in various art galleries, museums and music festivals across Europe. Among others: Public Space With a Roof Gallery - Amsterdam, State Museum of Contemporary Art - Thessaloniki - Greece, Ars Electronica - Festival for Art Technology and Society - Linz - Austria, De Appel - Amsterdam, Madrid Abierto - Madrid, Museum of Modern Art - Ljubljana, Kapelica Gallery -Ljubljana, SKUC Gallery - Ljubljana, Musica a Metronom - Barcelona, Gaudeamus Music Week – Amsterdam, Forum neuer Musik - Köln, EuroJazz Festival - Tomar – Portugal, festival of contemporary music Contemporanea 2004 – Udine, AV Festival - Newcastle Upon Tyne, CMMAS - Morelia, Mexico ...
He was commissioned pieces by Barton Workshop Ensemble (Amsterdam), Percussion Group The Hague and Slovenian Cinematheque.
In 1996 he formed together with Tomaz Grom electroacoustic improv duo TILT, with which he performs live.
As improviser he has performed with Will Guthrie, Alzheimer Trio, Riccardo Massari Spiritini, The Same Girl (Gilles Aubry, Nicolas Field), Sabine Vogel, Dirk Bruinsma, ...
So far he has released two CDs with duo Tilt.
He is founder of international cycle of sound events, lectures and workshops Bitshift in Kapelica Gallery - Ljubljana, which started in 2001.
In 2008 he got awarded Startstipendium from The Netherlands Fundation for Visual Arts, Design and Architecture - Fonds BKVB.
WEB LINK: http://www.taogvs.org/
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
TAO G. VRHOVEC SAMBOLEC
she is a dancer and singer, mostly performing in dance-theater performers and she has choreographed four performances of my own. She has worked with many choreographers and theater directors in Slovenia and also abroad (all mentioned in biography) with whose She has received many rich experiences. She gain my dance education in Intakt studio of Ljubljana, Dance theater Ljubljana, in education programs of En knap group in Laboratory and Agon and in Emanat (Maja Delak) and in many workshops (Ann Populis, Wendy Huston, Iztok Kovač, Joseph Nadj...) also abroad.
In 2004 she got the scholarship for DanceWeb (Gavin Webber, Barbara Mayr, Judith Grodowitz, Gustavo Miranda, Risa Steinberg, Antony Rizzi, Ori Flomin, Agelique Willkie, Mark Tompkins, Nuno Rebelo, Franz Poelstra, Robert Stein, Ko Murobushi) in Vienna.
In 2007 she was in Wroclaw in Grotowsky institute and she had a chance to work for one month with many great artists as Pioter Borowsky, Maisternia Pisni, Theater Zar, Zigmund Molik, Jaroslaw Fret…All the time she is visiting different kind of workshops for movement and dance and in last five years she has been working intensely also on voice trough the work sessions with Diego Ross, Brina Vogelnik Saje, Lejla Radovan, Agelique Willkie, Charmain le Blanc, Nhandan Chirco, Anne Marie Blink, Gey Pin Ang, Maud Robard, Maisternia Pisni, Zar thetre, Zygmud Molik, Jonathan Hart Makwaia…
she has made four projects of her own up till now: Hitchcock’s metamorphosis, Caprice, Caprice (re)lapsed and “like a drop of rain into the mouth of silence” and many more in the collaboration with other dancers, actors and directors (Dragan Živadinov, Mala Kline, Maja Delak, Emil Hrvatin, Sebastian Horvat…)
she is working on voice in solo project named “iT” – for voice and three dictaphones, with which she was touring also abroad ( http://www.myspace.com/torarobit ). she is also a member in a band of Aldo Ivančič (Borghesia) Bast Kolektiv ( http://www.myspace.com/bastkolektiv ) - we made album retinal Circus together.
she is a teacher of dance in High school of dance in Ljubljana, teaching dance techniques
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
IRENA TOMAŽIN
Octex - aka Jernej Marusich
Octex's (aka Jernej Marusich musical path started in late 90s, when he fell in love with the sound of old analog synthesizers and started conducting Organic Crackle and Tone EXperiments (Octex).
His debut album Idei Laehsna (Tehnika records, 2002) received high praises from both critics and the public and got proclaimed as one of the best post Basic Channel dub-techno releases. But always looking forward his next album Variations (rx:tx, 2005) took his experimentation even further and deeper, which confused some of his fans a little, but gained him new ones, and got him some really good reviews in the press.
In the mean time he has lent his remixing skills to the likes of Laibach, Ultra-Red, Marko Furstenberg, Spyweirdos...
2008 will see the release of new EP and his ambient album Dead Center of Nowhere, originally recorded as a sequel to Idei Lahesna, but till now never released. It will finally see the day of light as a shared release between proclaimed Thinner net label and rx:tx.
In 2003 he has received Slovenian Boomerang Award for best new comer of the year, and in both 2002 and 2003 he was selected as one of the 10 finalist for Radio France International Electronic Music Award.
His live sets have taken him all over Europe to events such as: Club Transmediale (Berlin), Sprawl (London), Dispatch (Belgrade), Exit (Novi Sad), Cynet Art (Desden), Meet Me, Progress festival...
In 2008 he will be presenting his new audio/visual performance. Having already done video for his tracks (which also ended being played on Viva, Onyx TV...) he had developed a system that allowes him to automatically sync visuals to his improvised live performances.
WEB LINK & CONTACT:
http://www.octex.si/
EMAIL: octex (at) soundoflj.com
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
OCTEX - aka Jernej Marušič
Borut Savski in Milan Kristl
O analogični kompoziciji:
Analogična kompozicija je osnova dramaturskega pristopa dveh avtorjev, ki je sicer improvizacija, vendar s predvidenim in predsestavljenim instrumentarijem. Razteza se med strukturo in de-strukturo - torej časovno: med trenutkom in konstruiranim (sestavljenim, zaporednim) časom. Če je sočasje (sinhronost) sodelovanja dveh avtorjev ena od osnov - torej: vzporejanje - je druga v razporejanju (v zaporedja) - v podrobnem je to ritmiziranje - v širšem pa je to glasbena kompozicija. Instrumentarij je na eni strani sestavljen iz različnih senzorskih sistemov - video, infrardečih, zvočnih in dotičnih (taktilnih) - povezanih na računalnik. Ti sistemi so različno odzivni - nekateri neposredno, drugi algoritmično. Na drugi strani je človesko telo in njegovi neposredni zvočni vmesniki, kot so piščali, brenkala in glasovi. Poudarek v obeh primerih pa je vendarle v iskanju sledi organskosti (telesnosti; ki je vedno predvsem struktura) logičnega (računalniškega, kulturnega) in analognega sistema (ki je avtonomija teles in njihovih odločitev)- torej analogne logike.
O principu analogičnosti:
Skovanka “analogično” je skrajsana besedna zveza ‘analogna logika’, ki je zanimiva zato, ker dejansko pomeni analogična logika, torej: nelogična logika. Torej nekaj takega kot ‘neumni um’. Semantično pa kaže na to, da je nelogično izpeljava iz logičnega - torej je primarnejši izraz: logično. Beseda, ki je zelo blizu ‘analogičnemu’ je ‘analogno’, vendar je v praksi (v kulturi...) povsem drugačnega (celo nasprotnega) pomena. Analogno opisuje, da je pri prevajanju iz ene vrednosti v neko drugo prišlo do proporcionalne (podobne - analogne) spremembe. Mi dodajamo, da je bila sprememba pri pretvorbi v drugo veličino skoraj linearna (v nasprotju z večpomenskostjo nelinearnih sistemov). V splošnejšem človeškem jeziku pa: da je pomen (skoraj) isti.
V matematiki je bila pred desetletji zanimiva beseda ‘fuzzy logic’ ali slovensko: ‘mehka logika’.
Primernejši izraz bi sicer bil ‘nejasna logika’. Ne le dve izključujoči se stanji - ampak neskončno stanj. Še en uporabljan izraz za omenjeni princip je ‘analogna logika’ - od tu torej skovanka principa analogičnega kot nelogične logike.
Analogični princip sicer izhaja iz gradnje (elektronskih) strojev, pri katerih moment odločitve ni enoznačen, ampak je zaradi zajemanja podatkov dveh senzorjev, uporabe analognih elektronskih komparatorjev in posebne konfiguracije pomičnih registrov precej samosvoj. Pri tem mislimo na samosvojost v razmeroma kratkem časovnem intervalu, ki ga dojemamo kot ritem, vendarle pa ga lahko označimo kot rudimentarni spomin - no, pomnilnik.
WEB: http://www.3via.org/trivia/
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
BORUT SAVSKI and MILAN KRISTL - "Analogična kompozicija" (Analogic Composition)
A weekly 20 minute public service interview program produced for Lightning 100 in Nashville, TN USA. It airs Sunday morning at 7am on 100.1 FM and online at http://Lightning100.com
Tuned In Blog
Bojana Šaljić Podešva
She closed studies composition at the AG in Ljubljana and studying electroacoustic composition in Vienna. The basic means of her expression is composing electroacoustic music - which covers both fixed two - or multi - channel compositions as well as "real-time" processing instrumental works - vocal sounds or sound installations. For her work she received many awards from slovenian and international competitions - both for concert works - (such as Gustav Mahler Kompositions Preis 32, international competition of Electroacoustic music Bourgesu in france, as well as music for film and theater (eg . Vesna - music from the film Children of Petrick).
photo: Matjaž Pihler
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SLO:
Bojana Šaljić Podešva je zaključila študij kompozicije na AG v Ljubljani in študij elektroakustične kompozicije na Dunaju. Temeljno izrazno sredstvo skladateljice je elektroakustična glasba, s čimer zajema tako fiksno izdelane dvo- ali večkanalne kompozicije kot tudi »real-time« obdelavo instrumentalno – vokalnega zvoka ali zvočne inštalacije. Za svoje delo je bila večkrat nagrajena na slovenskih in mednarodnih komponističnih natečajih; tako za koncertna dela (npr. Gustav Mahler Kompositions Preis, 32. Mednarodno tekm. elektroakustične glasbe v Bourgesu (FRA)), kot tudi za glasbo za film in gledališče (npr. Vesna za glasbo iz filma Otroci s Petrička).
foto: Matjaz Pihler
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
BOJANA SALJIC PODESVA
MARKO BATISTA is Ljubljana based mixed-media artist born in 1976 in Tito's Yugoslavia. At the end of the year 1997 he is accepted to ACADEMY OF FINE ARTS in Ljubljana under the guidance of professor BOJAN GORENEC. The result of collaboration with professor Borut Vogelnik, Bojan Gorenec, Joze Barsi, Sreco Dragan and artists Vasja Lebaric, Andrej Kamnik was a participation at the LA BIENNALE DI VENEZIA 50th International Art Exhibition: VV2 in June 2003. Texts, discussions and photo documentation was published in a book entitled PHOTOFINISH (Batista M., Kamnik A., Lebaric V.; 2004) in collaboration with Tomaz Kucer. In 1998 together with Miha Horvat (son:DA) founded multimedia group KLON:ART:RESISTANCE. Exploring moving images and digital sound environments they presented several projects at festivals, galleries and different urban places.In December 2000 FORUM STADTPARK (Gratz - Austria) and YOUTH CULTURAL CENTER (Maribor - Slovenia) invited Klon:Art:Resistance members in Gratz as a part of the introducing young conceptual artists of slovenian contemporary video art;
WEB LINK & CONTACT:
http://www.project-data.info/
sko (at) siol (dot) net
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
MARKO BATISTA
Spire Hartswood Hospital provides many of the treatments covered in these medical podcasts. To book an appointment or for a guide price, please call 01277 266 761
Spire Hartswood Hospital medical podcast
I started this podcast while I was running around with the circus.
frickincircus
Gesa Ziemer - COMPLICITY A COLLECTIVE ACTION IN ARTS AND DAILY LIFE
Thuesday, February, 9th, 2010 at 7.00 p.m.
Cankarjev dom, M1
Complices are partners that jointly decide to plan and execute a crime. Yet complicities are also a legal practice among artists, entrepreneurs and scientists. Complicity is a temporary and yet obliging and intensive form of collaboration. Using images and texts, this contribution calls for an artistic mode of research in which dance, music, business and science are to jointly pursue a social and artistic phenomenon.
Gesa Ziemer is professor of Cultural Theory and Aesthetics at the Zürich University of Arts. At HafenCity University Hamburg Dean and Co-Director of the new programme "Metropolitan Culture". Member of the advisory board of Steirischer Herbst Graz and PACT Zollverein Performing Arts
Choreografisches Zentrum Essen. www.gesa-ziemer.ch
SLO: Gesa Ziemer SOSTORILSTVO
SKUPNA AKCIJA V UMETNOSTI IN VSAKODNEVNEM ŽIVLJENJU
Torek, 9. februar, 19.00 Cankarjev dom, M1
Sostorilci so partnerji, ki se odločijo skupaj načrtovati in izvršiti kaznivo dejanje. Toda sostorilstvo je tudi zakonita praksa umetnikov, podjetnikov in znanstvenikov. Sostorilstvo je začasna, a obvezujoča in intenzivna oblika sodelovanja. Ta prispevek z uporabo podob in besedil poziva k umetniškemu načinu raziskovanja, v katerem naj ples, glasba, gospodarstvo in znanost skupaj zasledujejo družbeni in umetniški fenomen.
Gesa Ziemer je profesorica estetike in kulturne teorije na višji šoli za oblikovanje in umetnost v Zürichu. Na univerzi HafenCity v Hamburgu je predstojnica novega programa »Kultura metropole«. Je članica svetovalnega odbora festivala Steirischer Herbst Graz in centra za scenske umetnosti PACT Zollverein Performing Arts Choreografisches Zentrum Essen. WEB LINK: http://www.gesa-ziemer.ch
Gesa Ziemer - COMPLICITY A COLLECTIVE ACTION IN ARTS AND DAILY LIFE (SOSTORILSTVO SKUPNA AKCIJA V UMETNOSTI IN VSAKODNEVNEM ŽIVLJENJU)
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