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Københavns Universitet
Willamette University Faculty Podcast
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Listen to members of the undergraduate College of Liberal Arts faculty speak about their work, lives, environment, sustainability, service and what it’s like to teach the students at Willamette.
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Public domain poetry from LibriVox volunteers reading and recording all over the planet. All Librivox recordings are in the public domain. Many hundreds of free recordings of classic poetry are available at LibriVox.org. Many more to come in this regular podcast. (Click on the "Name" column heading to sort poems by the authors' names.)
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A short story by F. Scott Fitzgerald (1896-1940) Here is a somewhat obscure tale titled "The Curious Case of Benjamin Button" —obscure of course, until Mr. Button was conflated with Mr. Pitt. — This recording is the complete, original story as penned by Fitzgerald in the early 1920s. It was published originally in Colliers and finally collected in his popular Tales of the Jazz Age. One might call Benjamin Button an odd addition to the collection, as he was born in 1860, the year prior to Lincoln gaining his Presidency —a long way from the Jazz Age, which marked its begiining when Benjamin was 60... and he was... well, you'll have to listen to the REAL story to find out what happened before Hollywood stepped in...
The story is prefaced by Fitzgerald's brief humorous comment hidden away in the book's table of contents. Here he establishes both the tale's humor and its pathos and in a further sense, grounds it in our growing tradition of American literary sensibilities, echoing towards Mr. Clemens.
The musical accompaniment is from a public domain recording of L. Beethoven’s Cello Sonata in A, Opus 69, the fourth movement, as performed by John Michel. The piano is unattributed.
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Here is unique series of new recordings of Djuna Barnes' short stories and poems. This American writer played an important part in the development of 20th Century English language modernist writing, She was a key figures in 1920-30s bohemian Paris after filling a similar role in the Greenwich Village of the teens. Her novel Nightwood, with its introduction by T. S. Eliot, is a cult work of modern fiction. She stands out today for her distinctive writing style and her portrayals of lesbian themes. Since Barnes's death, interest in her work has grown and many of her books are back in print.
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The Paula Gordon Show is a rarity -- something genuinely new. Paula and co-host Bill Russell find remarkable people. Then they engage them in lively conversation. The guests regularly make sense of a life-time of sometimes decidedly technical work. And it's entertaining. No edits, no commentary, no interruptions from dead-end call-ins. Just deeply important, engrossing conversations. It's been called "'Cliff Notes' for the Baby Boom."
"We all have too much data and too little time," says Gordon. "Our listeners are just like us -- curious and eager to learn. But it's tough to find the people actually creating our future. And even harder to get first-hand access to them. Bill and I are a lot like scouts. Explorers. We go a little way ahead to see what's going on in the territory we're about to enter. Who's doing the interesting work? What do we need to know? What are we missing? Then we return with the broadcast, audio cassettes and soon the Internet. Our listeners have a life. They don't have the time or sometimes the inclination to do the background work. That's our job ! Hence 'Cliff Notes"' laughs Gordon, who was nominated for an Emmy for the television interviews she conducted before venturing into twenty years of film and video production. "I'm home," she says simply.
Bill Russell is co-host. He vigilantly balances Gordon's enthusiasm with a well tempered skepticism. "Paula and I are both genuinely excited about the changes going on all around us. And sobered. Big Things are happening in a remarkable range of endeavors. We hear the same words coming from people doing totally different work. We're surrogates for our listeners, exploring new developments in the physical, scientific, intellectual and spiritual realms. Too many people in all walks of life simply don't know how much is going on that's positive. This Show is a chance to hear about work that gives both of us hope and others are responding that way too.
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John Burroughs (1837-1921) was an immensely popular writer during his lifetime. He traveled with John Muir and Teddy Roosevelt; he spent various afternoons with Thomas Edison and Walt Whitman. He was Whitman's first biographer. One might say he had, for many years, his pen on the pulse of the times. Now the times are different and Burroughs is forgotten. Still, with relaxed patience, one can experience his works as they breathe the fresh simplicities of life, especially his intimate milieu: the great outdoors, the flora and fauna, rocks, water, the air and sky —and man's place in the midst of it all.
His poetry can be grouped with his minor writings; he had clear insight into his own facility in poems, to wit, the title page of BIRD AND BOUGH, his sole volume of verse, sports a self-deprecating epigraph from a line by John Bunyan: "Some said, John, print it; others said, Not so." All of his published poetry can be found in this collection, with the exception of "My Own Should Come To Me" and "Waiting." The later, frequently anthologized, was his most well known, and liked, even today. — A PDF of the poem texts can be found as one of the episodes.
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Anton Chekhov wrote three interconnected short stories, sometimes referred to as "THE LITTLE TRILOGY." The three tales , "The Man In a Case," "Gooseberries," and "About Love," have been continually admired and read for more than a hundred years as individual stories. When read/listened to together, they reveal interrelated, reoccurring characters and themes. The three stories, recorded here in public performance, are available in two audiobook formats as well as three separate story episodes. Total audiobook length: 1 hour 32 minutes.
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Poul Henningsen dengang og nu - lysmageren i nyt lys. Kulturkritikeren og multikunstneren Poul Henningsen figurerer
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’kulturradikalisme’. Han er en mand alle har meninger om,
tit på tredje hånd, hans ideer er delvis skjult af fordomme og uvidenhed,
men der er også reel uenighed om ham. Dette seminar vil
diskutere åbent og kritisk hvad han står for, og hvilken indflydelse
han har haft på dansk livsform og bevidsthed.
Seminaret vil over 12 torsdage bringe fagfolk i debat med hinanden
og med publikum for at afklare PH’s indsats og betydning. De
indkaldte kendere kommer fra historie, kunst-, teater-, arkitekturog
designhistorie, litteratur-, sprog-, film- og medievidenskab,
kvindeforskning, jura, teologi, medicin samt fra medierne og det
politiske liv. De enkelte torsdage vil behandle PH’s idéhistoriske
placering, PH som kritiker og lyriker, hans forhold til lys, arkitektur,
byplanlægning og naturfredning, til revy og jazz, slaget om
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til retsopgør og flygtningedebat 1945-47, til seksualitet, kropskultur
og kvindesag, til arbejderbevægelse, kommunisme og konservatisme,
til reklame og forbrugerkritik. Ved tre arrangementer er
indlagt sang og musik fra PH’s repertoire, og vi slutter med en paneldiskussion
om PH, folkelighed, frisind og arven fra ham, med
repræsentanter for flere kulturpolitiske positioner.
I lighed med de tidligere forelæsningsrækker Den kulturradikale
udfordring (2000) og Det stadig moderne gennembrud (2002) er
seminaret lagt som gå-hjem-arrangementer på et tidspunkt og på
en central adresse der skulle være bekvem for mange. Der er fri
adgang for alle – så længe der er plads.
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